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	<title>Comments on: 5 Small tips (with big impact) for your recordings</title>
	<atom:link href="https://thestudiofiles.com/?feed=rss2&#038;p=86" rel="self" type="application/rss+xml" />
	<link>https://thestudiofiles.com/?p=86</link>
	<description>Helping You Make It Happen</description>
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		<title>By: Dialashop</title>
		<link>https://thestudiofiles.com/?p=86&#038;cpage=1#comment-16800</link>
		<dc:creator><![CDATA[Dialashop]]></dc:creator>
		<pubDate>Wed, 12 May 2010 17:18:42 +0000</pubDate>
		<guid isPermaLink="false">http://thestudiofiles.com/?p=86#comment-16800</guid>
		<description><![CDATA[In order for a song to work it has to be very tight. This is the tricky part. You want it to sound tight, but you don&#039;t want it sounding robotic. The trick here is to use a partial quantize say between 40 to 50 percent and use Groove Quantize funtion. With the Groove Quantize function you are extracting the feel of one track and applying it to another. For example if you have a midi drum part and are using Logic Pro, you simple make a Groove Template and apply it to another track. Check you manual to see if your program features this.

Yes, the five points mentioned in this page may seem small, but they play a major role in getting that big impact. One point which most people take as natural, but don&#039;t realise how important it is, is &#039;Listening&#039;. You may say listening. Yes! I discovered in the last year when I have been mixing I forgot what that was, I would look at the meters on my computer software and hardware and I simply forgot to listen and go for the sound I felt was right.

Point number 2 according to this article is a small point, but in many cases its a mega cause of song sounding bad and that is bad vocals. Get a program to fix the vocals or get the vocalist to practice and practice till they get it right. I use vocal tuning, but it does not always work well. What I do is I do about 5 takes and I choose the best bits and if parts still don&#039;t sound well, I use a pitch corrector like the one builtin Logic.]]></description>
		<content:encoded><![CDATA[<p>In order for a song to work it has to be very tight. This is the tricky part. You want it to sound tight, but you don&#8217;t want it sounding robotic. The trick here is to use a partial quantize say between 40 to 50 percent and use Groove Quantize funtion. With the Groove Quantize function you are extracting the feel of one track and applying it to another. For example if you have a midi drum part and are using Logic Pro, you simple make a Groove Template and apply it to another track. Check you manual to see if your program features this.</p>
<p>Yes, the five points mentioned in this page may seem small, but they play a major role in getting that big impact. One point which most people take as natural, but don&#8217;t realise how important it is, is &#8216;Listening&#8217;. You may say listening. Yes! I discovered in the last year when I have been mixing I forgot what that was, I would look at the meters on my computer software and hardware and I simply forgot to listen and go for the sound I felt was right.</p>
<p>Point number 2 according to this article is a small point, but in many cases its a mega cause of song sounding bad and that is bad vocals. Get a program to fix the vocals or get the vocalist to practice and practice till they get it right. I use vocal tuning, but it does not always work well. What I do is I do about 5 takes and I choose the best bits and if parts still don&#8217;t sound well, I use a pitch corrector like the one builtin Logic.</p>
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		<title>By: ConnorSmith</title>
		<link>https://thestudiofiles.com/?p=86&#038;cpage=1#comment-2116</link>
		<dc:creator><![CDATA[ConnorSmith]]></dc:creator>
		<pubDate>Wed, 17 Dec 2008 02:07:10 +0000</pubDate>
		<guid isPermaLink="false">http://thestudiofiles.com/?p=86#comment-2116</guid>
		<description><![CDATA[^^You could email Damon or me an mp3 of some of your work, perhaps we could offer some suggestions.]]></description>
		<content:encoded><![CDATA[<p>^^You could email Damon or me an mp3 of some of your work, perhaps we could offer some suggestions.</p>
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		<title>By: ConnorSmith</title>
		<link>https://thestudiofiles.com/?p=86&#038;cpage=1#comment-2115</link>
		<dc:creator><![CDATA[ConnorSmith]]></dc:creator>
		<pubDate>Wed, 17 Dec 2008 02:05:35 +0000</pubDate>
		<guid isPermaLink="false">http://thestudiofiles.com/?p=86#comment-2115</guid>
		<description><![CDATA[(This is a response to both this comment and your comment on the other post)

The best professionals in the business can do amazing work on literally any gear you throw at them.  

Its much much more about the technique that it is the gear.  (Obviously having quality gear is also very important, but) It sounds like you have some solid gear, now its just about practicing and really developing your ears.

Tons of very famous music is mixed completely in the box these days.  Tons of very famous music is mixed using the box as a tape machine, and using a console and outboard gear.  My advice would be to stick with the gear your have and really learn it well, so that you are sure that you are taking your gear to its highest sonic potential.]]></description>
		<content:encoded><![CDATA[<p>(This is a response to both this comment and your comment on the other post)</p>
<p>The best professionals in the business can do amazing work on literally any gear you throw at them.  </p>
<p>Its much much more about the technique that it is the gear.  (Obviously having quality gear is also very important, but) It sounds like you have some solid gear, now its just about practicing and really developing your ears.</p>
<p>Tons of very famous music is mixed completely in the box these days.  Tons of very famous music is mixed using the box as a tape machine, and using a console and outboard gear.  My advice would be to stick with the gear your have and really learn it well, so that you are sure that you are taking your gear to its highest sonic potential.</p>
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	<item>
		<title>By: Bill</title>
		<link>https://thestudiofiles.com/?p=86&#038;cpage=1#comment-2114</link>
		<dc:creator><![CDATA[Bill]]></dc:creator>
		<pubDate>Wed, 17 Dec 2008 01:57:01 +0000</pubDate>
		<guid isPermaLink="false">http://thestudiofiles.com/?p=86#comment-2114</guid>
		<description><![CDATA[what gives the big studio sound more . The board they use?,the outboard gears. pre amps and compressor etc.Sometimes i get 85 to 90% just using all plugins and not using my pre amp or outboard comp etc. why do most people talk down on digital as thin. I can get a sound to be too pumped up with the waves L3-16 on the master if needed, but then i can&#039;t use it if going out to get mastered but doing it myself i can pump that sound up. yet what is more important a larger board or more outboard. I am running on pro tools Le 7.3.1 i mac computer, waves plug ins, and couple outboard pc pre amp and comp. new master clock, good mics U-87 for my main mic .I want to take it to another step.]]></description>
		<content:encoded><![CDATA[<p>what gives the big studio sound more . The board they use?,the outboard gears. pre amps and compressor etc.Sometimes i get 85 to 90% just using all plugins and not using my pre amp or outboard comp etc. why do most people talk down on digital as thin. I can get a sound to be too pumped up with the waves L3-16 on the master if needed, but then i can&#8217;t use it if going out to get mastered but doing it myself i can pump that sound up. yet what is more important a larger board or more outboard. I am running on pro tools Le 7.3.1 i mac computer, waves plug ins, and couple outboard pc pre amp and comp. new master clock, good mics U-87 for my main mic .I want to take it to another step.</p>
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	<item>
		<title>By: PJ</title>
		<link>https://thestudiofiles.com/?p=86&#038;cpage=1#comment-67</link>
		<dc:creator><![CDATA[PJ]]></dc:creator>
		<pubDate>Mon, 25 Feb 2008 20:33:20 +0000</pubDate>
		<guid isPermaLink="false">http://thestudiofiles.com/?p=86#comment-67</guid>
		<description><![CDATA[@ #2 Is this what T-PAIN uses? lol]]></description>
		<content:encoded><![CDATA[<p>@ #2 Is this what T-PAIN uses? lol</p>
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